Camera

Panasonic Lumix DC-G9 Full Review: The Best Mirrorless Camera

Panasonic G9 Summary

Panasonic has just unveiled its new full-frame cameras, the S1 and S1R, as we write this conclusion. There is still much to admire in the company’s Micro Four Thirds portfolio, including the Panasonic G9, which debuted at the start of this year, even though there is something brand-new and sparkly on the horizon.

The Panasonic G9, which is positioned above the Panasonic G85, is the brand’s top-tier stills-focused camera. The G9 offers various benefits over the G85, including as a 20.3-megapixel sensor that is similar to that of the Panasonic GH5. Despite the fact that both GH5 and G9 are highly powerful hybrid cameras, the GH5 is more suited to video shooters while the G9 is more focused on stills photographers. The G9 also has more enhancements and additional features than the G85, including a bigger electronic viewfinder, twin card slots, quicker JPEG shooting, a faster electronic shutter, and many others.

Image caliber


Comparing the G9 to the G85 from 2017, a megapixel increase from 16 to 20 is made. The G9’s newest Venus processor also contributes to enhanced picture processing. A noticeable improvement in image quality results from these two changes.

The Panasonic G9 produces pictures with beautiful color and high contrast. The G9 can exhibit minor aliasing errors due to the absence of an optical low-pass filter, yet it also produces pictures with excellent fine detail. The Panasonic G9 takes clear, detailed pictures that can hold their own against the APS-C competition at its default ISO setting of 200. The G9 produces sharper, clearer, and more nuanced photographs as compared to the Olympus E-M1 Mark II. Having said that, the G9 has a tiny edge over previously-tested MFT cameras in that regard because it was lab-tested with a new lens. Yet, the G9’s overall sharpness is excellent, with hardly perceptible edge enhancement artifacts surrounding things with a lot of contrast.

The G9 draws further apart from the G85 when the ISO is raised. This is mostly attributable to improving hardware as well as the camera’s internal software. While the G9’s pixels are smaller than the G85’s, it nevertheless delivers photographs with less noise at ISO 1600 and higher.

The G9 produced great 30 x 40 inch prints at base ISO, good 16 x 20 inch prints at ISO 800, and fine 11 x 14 inch prints at ISO 3200, according to our examination of print quality. After ISO 3200, quality does significantly deteriorate, reducing the maximum size of an acceptable print to 8 x 10 at ISO 6400 and 5 x 7 at ISO 12,800. (We don’t advise printing at the highest ISO of 25,600.) In our print quality testing, the Panasonic G9 performed admirably given its sensor size and megapixel count.

Autofocus and Capability

First, let’s take a look at how well the G9’s autofocus performed in tests, despite the fact that it lacked phase-detect pixels. A scant 0.121 second was the full-autofocus shutter latency, which is as quick as or quicker than many pro-level DSLR cameras.

The scenario was largely favorable in the field as well, with the 225-point DFD-powered autofocus system producing quick and precise results. In rare occasions, the camera may become perplexed and lock onto the backdrop, but it usually managed to rapidly recover.

In our lab testing, the G9 consistently outperformed the competition in terms of shooting performance. The camera turns on, takes pictures, and cycles through shots quickly. The G9 is a very quick camera in terms of continuous shooting. It can take RAW and JPEG pictures at slightly over 12 frames per second with the mechanical shutter. Buffer depths also shown excellent performance, enabling the cleaning of 600 JPEG photos and more than 80 RAW frames in under 14 seconds. It’s important to note that the G9’s AF-C shooting rates only reach 9 fps, which is still rapid. Full-size RAW and JPEG shots can be taken at a blistering 60 frames per second when utilizing the electronic shutter, which is incredibly quick. When using continuous focusing, the burst rate drops to a still-impressive 20 fps.

Camera handle and body

Like the GH5, the G9 has a sizable front grip that makes it simple to hold and grip the camera. It’s a comfortable camera to use. Ample tactile controls on the G9 also make it simple to change settings on the fly when out in the field.

The G9 is the first mirrorless camera from Panasonic to include a top-deck LCD display, giving it a look like a high-end DSLR even though it is much smaller than a Nikon D850 or Canon 5D Mark IV. The G9, a mirrorless camera that seems every bit as competent as bigger cameras, is essentially a DSLR that has been scaled down. Because it is mirrorless, the G9 has an electronic viewfinder with a 0.83x magnification that is equal to a 35mm lens. This big viewfinder is excellent for framing shots and following subjects. We really appreciated the G9’s EVF’s 120 fps refresh rate and absence of blackout while using it in the field. In fact, when we conducted our first Field Test, we discovered it to be among the best EVFs available.

The Panasonic G9 provides a terrific user experience and is a very well-designed Micro Four Thirds camera with its twin control dials, comfortable grip, superb EVF, and significant amount of physical controls.

Features & Performance of the Video

Although the GH5 and GH5S may be the most well-liked cameras among videographers, the G9 is still capable of producing high-quality videos. The G9 offers a lot, including 4K UHD video capture at up to 60 frames per second, which is something not many cameras offer, let alone ones with these kinds of still photography capabilities and at this price point. There aren’t quite as many modes and features on the G9 as there are on the GH5-series of cameras, but the G9 still offers a lot.

The G9 doesn’t support V-Log, 10-bit video, or limitless recording, but the camera’s video footage is clear and the focusing performed admirably, although occasionally hunting even when the subject was in focus. We were equally as satisfied with the Full HD video quality, which naturally provides less resolution than 4K video but still looks fine. Full HD video naturally gives less resolution than 4K video but still looks good. In the high frame-rate video format, the narrative is less uplifting, therefore we advise shooting in 4K/60p and slo-mo instead. Although you can capture good-quality footage up to ISO 3200, the high ISO video performance is not very amazing. It is preferable to avoid ISO 6,400 if at all feasible because it is clearly deteriorated.

Summary

The Panasonic G9 is an excellent Micro Four Thirds camera overall, and it excels as a stills camera. Having said that, the G9 still offers remarkable video capabilities despite being Panasonic’s premier stills-shooting Micro Four Thirds camera, even though it lacks all the features of the GH5. The G9 is incredibly simple and straightforward to use thanks to its DSLR-like design and produces high-quality photographs that can compete with certain APS-C cameras.

The Panasonic G9 is a wonderful deal in a camera system that is generally strong and adaptable, and it offers many amazing shooting options. Since last December, several excellent cameras have been introduced, but the Panasonic G9 may be one of the most underappreciated of all of them. The Panasonic G9 is the only Panasonic MFT camera you need if you’re seeking for one with a stills-only focus. The Lumix G9 definitely deserves to be listed as a Dave’s Choice!

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